The studio is built for large productions, but I run it as an artist: focused on experimentation and detail, not volume. Once a project scales into full production, I bring in specialized assistants for specific tasks to meet the schedule. This model provides the best of both worlds: the slow burn of hands-on research and development, and the precise, in-house capacity to take major projects from concept to completion.
What I look for
Training helps me understand your background, not rank you. Whether you studied architecture, engineering, art or learned everything hands-on, it works as long as you bring clarity and curiosity.
What truly matters is your specific skill set. Welding, mold-making, coding, electronics, woodworking… whether you’re exceptional in one field or solid in several, be honest about what you can reliably deliver. Trust is paramount when handing over a critical part of a project.
How it works
If this model resonates with you, send an email highlighting what you believe would be your strongest addition to the team, whether it’s a specific skill or a past project.
I reply to every message out of basic courtesy. Even if I’m interested, I might only have an opening months later when a project precisely matches your skills. Still, if you’re local, I’ll likely invite you for a coffee to meet and show you around the studio.
The portfolio says everything
A curated PDF tells me far more about your work, your eye, and your attention to detail than any CV or social media feed.
I build small, focused teams based on the specific needs of each project, its timeline, and its technical demands.
A curated PDF tells me more about your work, your eye, and your attention to detail than any CV.
I build small teams based on the needs of each project, its timeline, and its technical demands.
A curated PDF tells me far more about your work, your eye, and your attention to detail than any CV or social media feed.